VA – Memories. Untold is a delicate and emotionally rich compilation from TAMIZDAT, capturing the subtle beauty of deep and tech house with a gentle, melancholic twist. Thoughtfully curated for sunset sessions and introspective moments, this four-track vinyl release drifts between ambient textures, melodic phrasing, and dubby undertones—crafted for open-air environments and graceful transitions.

A1. Joshua Pendergrass – The Leopard (Frederick Ansgar Remix) opens the record with an ambient-infused deep house piece—warm, slow-moving, and deeply involving. It invites the listener into a calm, curious, and emotionally attentive state.
A2. Dubsud – Memories (BarBQ Remix) follows with a more upbeat, melodic character. Playful yet refined, it offers a bright continuation of the journey, carrying momentum without losing its emotional depth.
On the flip, B1. Heward, Kirill Matveev – Your Gentle Breath emerges like a breeze—floaty, nuanced, and ideal for that golden-hour moment. It’s an elegant piece full of space, subtlety, and feeling.
B2. Nj Helder – Gazi closes the release with dubby warmth and light breakbeat elements, a soothing yet rhythmically engaging finale—like the last light fading over a distant horizon.

Featuring label mastermind Kirill Matveev, MixCult regulars Heward, Joshua Pendergrass, BarBQ, and Dubsud, the record is further elevated by South African talent Nj Helder, whose presence brings a soulful character to its closing chapter.
Memories. Untold is evocative, chilled, and designed for those who seek emotional connection through sound—a graceful companion for deep listening and open skies.
TAMIZDAT is a division of MixCult Records

VA – Paradisi Artificiali brings together four distinct sound compositions, each resisting the urge to resemble the others but united by the way they manipulate perception.
Polygonia crafts shifting rhythmic paths where the groove warps and regenerates in real time, maintaining an organic tension that keeps the body in motion without ever truly settling into place.
Feral operates through subtraction, slowing time and excavating sound’s spatial depth. Its tracks don’t progress so much as they envelop, drawing the listener inward into a layered, introspective space.
Agonis introduces a more unstable, sensory thread, weaving transitions and accumulations that build in stages. Frequencies become tangible matter, and the progression unfolds without ever erupting entirely.
Crossing Avenue weaves these directions together without hardening them, infusing the record with a more rooted, almost ancestral rhythmic element that surfaces in the structure of the patterns and the choice of timbre.
The result isn’t a neat synthesis, but a coexistence. The tracks unfold along a shared line without ever converging, articulating a dynamic balance between tension and release. It’s an album that works through gradual alterations, through subtle slippages in perception, as in “Les Paradis Artificiels”. The point isn’t escape, but intensification. The sound burrows deep, reshaping how things are experienced, until a denser, more ambiguous, more alive reality emerges.

X – Ochenta y Tres 06

Tremendo Various Artists con seis pelotazos originales, editado por el sello 83 para su sexta referencia en vinilo.

2021 generic sleeve repress -

Next up is Josh Brent - revered throughout the globe for releases on his own Schatrax label, Josh has been releasing records since 1994 and has built a back catalogue of exceptional consistency.

Stepping aside from his habitual sound Josh turns in 'Then Again', a 4-track collection of tumbling Breaks and Garage shuffles that have been tried and tested on Fabric's system.

The new step of GIMIC: Soundscape Waves Vol . 1 — the debut compilation from GIMIC Records on a double vinyl, Various Artists. Two records, two worlds: experimental & electronica explorations vs raw club energy. Featuring Hadone, Dangermami, NMSS, Canblaster, Darzack and more — the GIMIC soundscape comes alive.

REPRESS ALERT! Long out of press and with copies regularly changing hands for close to £100 on the second-hand market, Air Miles are proud to present a limited repress of their inaugural release, “An Ode To Midnight EP’ by Jeigo.

The tone is set from the off with the eponymously named first track of the release ‘an Ode to midnight’. The tracks mellow break beat feel is met by warm rushing pads, ebbing and flowing between textures of the night before last.

Floor focussed, zero fussing ‘Wing Systems’ carries the front side at an orbital trajectory. No time for an intro, the drums jolt you into alertness, the wobbly bass perfectly counterpointed by gated, washing keys.

‘Lime Hawk’, melancholic euphoria brings the release back to the conscious. It’s structure toy-fully crescendos and builds, all while the Balearic synth peaks with the sub line keeping you grounded throughout.

Rounding off the record is ‘By My Side’ meandering the record into slightly darker territories. The shifting keys wash over, the siren call vocals penetrate and the thudding kick punches through, anchoring the track as an emotionally driven, cerebral affair.

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London, San Francisco and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in!

A serendipitous encounter at an SF record store in the early 90s brought together local music aficionados DJ Dan and Jim Hopkins. Their collaboration birthed the legendary Electroliners project, channeling their shared passion for underground and funky sounds into the iconic left-coast rave anthem, 'Loose Caboose', now firmly nestled in your hands. Pooling their musical prowess, Dan and Jim embarked on a journey of sonic exploration, meticulously crafting their signature sound by dissecting samples and breakbeats, infusing the musical landscape with a revitalizing energy. As their reputation grew within the local scene, they found themselves tasked with supplying a track for a promotional CD-ROM by a burgeoning software company.

Through marathon sessions of digging, slicing, sequencing, and exchanging snippets over phone calls, Electroliners hit their creative stride. It was only natural to unveil their creation in the raw intensity of a live rave setting. Thanks to a connection with DJ DRC, they seized the opportunity, and the rest is history. Copies of the record flew off the shelves by the thousands locally, and its overseas acclaim, spearheaded by licensing through XL Recordings in the UK, cemented its status as a bona fide underground classic. But what exactly is an Electroliner you might ask? Jim sheds light on the inspiration: “I delved into books on trains at the public library,” he reveals. “Among them, 'Electroliner' caught my eye, a train line in the Midwest. Given the track's pulsating train horn, 'Electroliner' and 'Loose Caboose' simply clicked.”

'Loose Caboose' is an all-time classic, and still causes much damage on the dancefloor today. Yet another unmissable addition to the MC reissue catalogue, fully licensed from the artists, mastered and cut by Curve Pusher, and available once again available for purchase. Do not sleep.

Veniceberg Records returns with its eleventh installment. After a series of remarkable releases featuring some of the biggest names in the Italian and international underground scene, the label has chosen not to look too far afield for this EP. Instead, it proudly presents a very promising young talent and current resident of the club: Banjo.

With productions characterized by catchy vocals, this is an excellent blend of house, electro, breakbeat, and techno sonorities. He doesn’t fail to deliver a 4-track EP that's ready to ignite the sweatiest moments on the dancefloor.

Love Never Sleep.

Pearl River Sound emerges on Elektorni with a four-tracker of break-beats, bleepy emotion and downtempo acid.

Luca Lozano has long been an artist whose output as both a producer and designer we've admired and after many years of seeing his records fly off the shelves here at Phonica, we're delighted to be releasing the 'Da Vinci' EP by the Klasse Wrecks boss on our main label. We'll let Lucas, the modern day renaissance man himself, take it from here:

"These four tracks were created over a few sessions while I was settling into a dank basement studio (which was new at the time and now long gone).

‘The Magnificent’ and ‘Delta Force’ were made just after I acquired an old Korg Delta synth, I spent a lot of time getting the 1970s beast to sync up with modern equipment and both tracks make use of it in various elements.

‘Eau De Dave’ is a cheeky homage to a UK producer legend, I’ve been digging into his various older productions recently and went back to a fidget sound for the fun of it.

‘Crunchy Nut’ was kind of inspired by early U.K. tech house, it was the last track confirmed on the EP and came together super quick. As usual it’s a mix of old drum machines like a modded 707 and a bunch of old samples I’ve had on my computer for a couple of decades now. I’m happy I managed to work some slap bass into a track finally…"

Keroxen presents Spandauer Damm 103, a new album by Dancelwerk.
Bringing together modular systems, worn drum machines and digital synthesis, the record nods directly to the first decade of Warp Records and the early logic of bleep culture.
Dancelwerk is a Tenerife-based electronic pioneer and one of the foundational figures of the Canary Islands underground. Active for over 30 years, Spandauer Damm 103 marks both a personal milestone and a renewed point of focus, reaffirming his role in shaping the region’s electronic lineage. The album draws on 1990s electronic futurism, filtering those references through a contemporary production approach rather than nostalgia.
The music moves between places and periods: from the early rave circuits of southern Tenerife, where Dancelwerk built his reputation through DIY releases and warehouse-level experimentation, to his later relocation to Berlin, famously arriving with a shipping container of vintage synthesizers and modular equipment.
Balancing melody and impact, Spandauer Damm 103 sets custom-programmed percussion against detailed sound design. FM, spectral and wavetable synthesis shape its harmonic and textural focus, resulting in music that remains physical without sacrificing clarity.
A long-standing practitioner reconnecting with his roots while pushing the system forward.

For the first time, Endrik Schroeder and The Hacker have joined forces. Their unique sounds and styles have combined seamlessly to produce a 12” that draws on their own musical histories. The title track pulls the listener into a darkened sweaty basement, a space where neon lights leer and quivering speakers vibrate. Melting elements of new beat and rave revelry, the track is bawdy and bold. Robotic samples cut through siren blasts, clean snare rolls skidding in thick basslines and creamy breaks.

Two remixes follow, both care of fellow French producer: Back From The Wave. First up is the “Breaky Remix”. Adhering to the club origins of the source material, this remake sends melodies ever higher as drums lift elated lines to the stern refrain of “Emergency”. The “Indie Remix” closes. The glowsticks are sheathed in this version, instead it is the soaring keys that are given the limelight with beats bolstered for extra bite. Three tracks set to delight and ignite dancefloors.

2026 REPRESS

COEO are back on Toy Tonics! After uninterrupted touring around the globe, followed by a short creative break the guys come back with an even stronger sound. With the new EP they go more underground again. Its addressed to the clubs and night owls out there, who turn night into day and won't stop dancing!

The sound is based on classic house patterns and includes a lot of cool saxophones, big piano stabs & rhythmic piano solos. They even go tribal, use arpeggios and switch into breakbeat heaven. The four Originals are a great next step in the COEO evolution. The unique warm, catchy atmosphere of the tracks can create that special COEO euphoria which made them a lot of fans. From Moodymann to Disclosure, Mall Grab to Kenny Dope, the list is long.

It’s fantastic to see how popular they became over the last couple of years. The last COEO vinyl sold over 2500 copies and some of their tracks have millions of Spotify plays. It’s DJ FOOD. Pure bliss!

What changed between Av. General Roçadas and Junkeira? Seven years in people's lives — yet the team's commitment remains untouched, and the steady hand on the plumb line that keeps dance music (still) upright holds firm. Years of sustained research and field work from both producers, with their own records, mutually independent and independent too in how they brought them to life. Moreno Ácido has been navigating detours through a conceptual yet grounded underground — in sound and in format (two self-released cassettes since 2019) — while keeping one eye on the floor. His post pandemic reawakening carries a clear message: Call to Action is the label that in 2023 put the still-in-demand Trash/Treasure out on vinyl. Diogo keeps Discos Extendes as his shelter, gathering talent and retreating into it. At the same time, a disseminating vocation — that talent turned outward, on a mission to champion the different sensibilities that can converge in music made for dancing.

Junkeira is direct. It hides nothing in its intent, nor does it conceal the origin of its love, nor the way it exercises its fascination with the source. Geography can define movements, described and echoed countless times outside and then inside the net. The signifiers are known to all — it's a matter of applying them with respect and flow. Perhaps the craft in this production really does come down to love, when it comes to it. What is "WTF" if not a declaration of love — at the very least of closeness — to the sonic essence of the English rave? The piano stab, the breaks defining that hardcore state of mind, the string bed lifting feet off the floor. Closing out the EP, "Freak" gathers different emotions — eyes still shut, body in comedown while still moving. Chill. Everything rounded. Bassline, vibes, vocals woven into the rhythm.

Rewinding, the opening track "100 Planos" is a throwback to Roçadas (2019) — harder on the ground, with a 4/4 beat broken up by claps, a circular structure built for DJs, with mix-friendly entry and exit points. Then "Turbo Love" puts the keys in control, foregrounding them, letting a car alarm ring out and balance the beat — a reverential nod to UK Garage felt as raw material, already part of the lineage that has been the continuous evolution from Disco onwards: an evolution that traces a line and its branches, from which you can isolate any chronological point since at least 1977 and combine whatever elements form a personality. The spirit lives, as summer kicks in.

Next up, Some Wizardry from our man dot13,
Played by Herodot, Nu Zau & more.

Human Tree Records proudly presents Ghost Town, the third EP by Bam Bam’s Boogie, landing on 30 January. Following the exclusive vinyl release on Bandcamp, this marks the digital edition of the record

The project unfolds across four tracks that push the band’s hybrid language into darker, heavier territory, while also marking a new point of departure. Ghost Town consolidates what makes the trio so compelling, a rare alignment of sound, research, and pure energy, sharpened into a focused statement that still refuses to sit inside one genre.

Ghost Town is a collision of drum and bass, funk, breakbeat, and afro inspired grooves, built for maximum impact. Expect pounding rhythms, sharp textures, infectious melodies, and lyrics that cut deep. At the core is Jacopo Aluzzi, producer, bassist, and multi instrumentalist, transforming the bass into guitars, synths, and otherworldly noise through live looping and effects. On vocals, Kiko King delivers haunting words with magnetic presence, while Eric Oder on keys and synths expands the palette and amplifies the band’s live intensity. A visceral soundtrack for nocturnal movement, a chase through neon streets and empty corners, where the ghosts of the title feel uncomfortably close.

Evighet proudly presents its sixth release, EVIGHET006, featuring the distinctive sound of Healing Force Project, the long-running creative vision of Italian artist Antonio Marini. For more than a decade, Healing Force Project has explored the intersections between electronic experimentation, free jazz and electroacoustic research. His work unfolds with a rare sense of spontaneity and depth, merging intuition and technical precision into a sound language that feels timeless and deeply personal. Over the years, this unique approach has earned him a cult reputation across the underground and avant-garde music scenes. EVIGHET006 is the result of a free creative process, a series of recordings shaped by intuition rather than concept or structure. Within this collection, elements of jazz, drill-inspired beats and dubstep textures emerge and intertwine. The music alternates between dark tonalities and unexpected shifts toward melodic and almost folkloric moments, inviting the listener into an evolving, immersive experience. A highlight, “Playing Tabla and Smoking Weed with Aliens”, reveals the hypnotic pulse of the tabla, guiding the piece through a steady percussive flow that feels both ancient and futuristic. Elsewhere, rhythmic improvisations and fragmented breaks form intricate layers that dissolve and reform with subtle tension. With this release, Healing Force Project continues to move along his own path, shaping sound as a form of exploration and reflection. EVIGHET006 captures an artist in constant evolution, translating instinct into form and intuition into movement.

Originally from Patagonia, Aldana grew up deeply connected to the Earth. It was in Buenos Aires, however, that she shaped her musical identity, immersed in a vibrant and inspiring scene. Influenced by the energy of parties and the community around her, she soon felt the urge to channel that intensity into her own music.

Today, she marks a new chapter for Luzerna with the label’s very first EP — a project moving between the emotional and the physical. There are more introspective moments and others that are more direct, designed for the dancefloor. It’s also very versatile and can be experienced in different contexts and moments.

The production is largely driven by intuition, allowing the sound to find its own shape.Although each track has its own identity, they are all connected by groove, like a constant pulse that brings them together.

*Vinyl Only*

Spirits From An Urban Jungle – A group consisting of JMJ & Richie (Moving Shadow/Good Looking) and Tekniq (Moving Shadow/Formation) who released two EPs on Whitehouse Records in 1994 and a recent, quickly sold out, EP on Vinyl Fanatiks sister label – Amen brother.

Their first release on Whitehouse was repressed by Vinyl Fanatiks in 2020 on red vinyl and sold out. This is a limited run on blue vinyl and is some deeper, Bukem styled tracks that pre-dated the ‘intelligent’ drum & bass sound that went stratospheric the following year.

Rolling in da shadows…

Andrea's third album "Living Room" is a delicate blend of spacious and reflective sounds, unfolding a sonic trip from familiar corners to distant skies.

Strictly limited to 150 copies. DJ use only.

By popular demand, almost two years after its original release, we're finally pressing one of MM Discos' most iconic records to vinyl. A record that, in many ways, captures the label's vibe, spirituality, and sonic identity.
Daichi landed in 2024 with standout versatility, effortlessly pulling almost any genre into a balearic universe, bending it to his own language.
From the proto-tropical trance of "See of Cosmic" to the loose, hard-to-pin-down house of "Dampness," somewhere between Madchester moods and an Arthur Russell-esque swing. Late-night energy runs through "You Got Me" and "Aja Aja" - the former riding a garage swing, the latter drifting further into that signature cosmic space. To close it out and ease the tempo down, Daichi moves into more disco-leaning territory with a pair of understated but heavyweight edits.

Super Rhythm Trax are proud to present this reissue of one of the most loved, most underground and most sought after Breakbeat Hardcore records from 1991. Raw rugged and authentic, no silly chipmunk vocals or twee piano here, oh no!

Carefully remastered from the original dat tapes, both original versions of Underkut “Both Ends” are now available at a reasonable price after 35 years!!

Since its original release in 1991 it quickly gathered legendary status with it’s super slamming breaks and ‘that’ huge Bassline, it doesn’t get any better than this.

On the DAT tape, we also chanced upon an unreleased, unheard version, and We include this unheard vocal mix as an ‘of it’s time’ artefact for the collectors, as it really accentuates the record’s obvious HipHop leanings and there are parallels to be drawn with the whole Britcore movement of the time, where crews like Hijack, Gunshot, Cash Crew, Demon Boyz and London Posse were flourishing.

A1 Dawn Razor x Electrosoul System - Hiper Dob. Progressive breaks in the best traditions of Layo & Bushwacka! Atmospheric, fiery, harmonious.

A2 Electrosoul System - #electrobidon. Powerful electro breaks with paranoid melodic harmonies and an original, memorable voice sample by the 46th President of the USA.

B1 DJ Brix - Under Attack (Electrosoul System Remix). Crisp breakbeat with an old-school touch, echoing early Chemical Brothers and Prodigy, acid house and the acid revolution.

B2 Dissident - Alter Samadhi (Eklektika Remix). Gloomy, mesmerizingly hypnotic future garage remix of a drum'n'bass classic by Dissident.

Mit The Drum "n" Bass Session erweitert Wagram die renommierte Electronic Music Anthology um ein weiteres zentrales Kapitel der elektronischen Musikgeschichte. Auch diese Ausgabe wurde von FG Radio, einer der wichtigsten Plattformen für elektronische Musik in Frankreich, kuratiert und widmet sich ganz den energiegeladenen, bassgetriebenen Facetten von Drum "n" Bass. Die Compilation vereint wegweisende Künstler wie Goldie, Roni Size, Calibre, Nookie, DC Breaks, Souljah und DJ Gilb"R - Namen, die das Genre von seinen frühen Jungle-Wurzeln über soulful, deepen Drum "n" Bass bis hin zu modernen, clubtauglichen Produktionen entscheidend geprägt haben. Rasende Breakbeats treffen auf massive Basslines, atmosphärische Flächen und eine unverwechselbare Mischung aus Präzision und Energie. The Drum "n" Bass Session richtet sich gleichermaßen an DJs, Sammler und Liebhaber elektronischer Subkultur. Eine sorgfältig kuratierte Anthologie, die den Stil nicht historisiert, sondern seine zeitlose Dynamik und Relevanz eindrucksvoll hervorhebt - kompromisslos, direkt und absolut dancefloor-erprobt.

Mit Vol. 04: Happy Music For Happy Feet präsentiert Wagram einen weiteren Höhepunkt der beliebten Electronic Music Anthology-Reihe. Auch dieses Kapitel wird von FG Radio, einer der einflussreichsten Stimmen der französischen Electronic-Music-Szene, sorgfältig kuratiert und vereint ein erstklassiges Line-up an House- und Dance-Produzenten, deren Tracks über Jahrzehnte hinweg die Dancefloors geprägt haben. Die Kompilation spannt einen weiten Bogen zwischen zeitlosen Club-Klassikern, funkigen House-Grooves und elektrisierenden Dance-Anthems. Mit einer Mischung aus bekannten Hits, DJ-Lieblingen und stilprägenden Signature-Tracks liefert Happy Music For Happy Feet genau das, was der Titel verspricht: pure, positive, hochgradig tanzbare Energie. Perfekt für DJs, Sammler und für alle, die elektronische Musik in ihrer fröhlichsten, ansteckendsten Form lieben, steht diese Ausgabe für das, was House und Dance seit jeher ausmacht - Leichtigkeit, Euphorie und die Freude am rhythmischen Ausbrechen aus dem Alltag.

Die Vintage Sounds Vinyl Collection präsentiert eine sorgfältig kuratierte Ausgabe ganz im Zeichen der House Music. Der Sampler vereint zeitlose, hochgradig tanzbare Tracks von prägenden Szenegrößen wie Masters At Work, Bob Sinclar, Kings Of Tomorrow, St Germain, DJ Gregory, Joe Smooth und vielen mehr. Funkige Basslines, soulige Vocals und klassische Grooves treffen auf französischen House-Esprit und internationale Club-Anthems. Ein unverzichtbarer Vinyl-Sampler für DJs, Sammler und alle, die House als Lebensgefühl verstehen.

Always championing forward-thinking projects and sounds, Enzo Siragusa’s FUSE imprint welcomes a special addition to its catalogue as London-based DJ and producer Theo Kottis steps up for his label debut with his ‘Dark At 3PM’ EP. A highly respected figure known for his euphoric productions and magnetic energy behind the decks, Theo’s first appearance on the label marks a fresh moment of synergy, uniting his rich and often nostalgic sound with the signature UK-driven edge of the London imprint.

Known for standout releases on tastemaker labels such as Dekmantel and CWPT – and with performances at iconic venues including Panorama Bar, Lux Fragil and Robert Johnson – Theo brings a decade of craftsmanship into his FUSE debut, diving deep into a world of garage, rave, and bassline, through to cosmic-inspired textures to deliver a vibrant and genre-bending body of work.

Across the EP, Theo presents a kaleidoscope of UK club influences while weaving in his own flair for melody and mood. Opener ‘Dark At 3PM’ kicks things off with warped low-end frequencies and spaced-out atmospherics, merging raw UKG fl avours with celestial flourishes. ‘Forward Motion’ keeps the energy tight and driving with propulsive speed garage rhythms, weighty lows and sharp percussive touches. On the B-side, ‘Glow’ leans into spacey pads and deep, undulating basslines, offering a shimmering mid-release moment. ‘In Search Of’ adds an impactful, introspective dimension with swirling synths, chunky bass, ethereal vocals and breaks-influenced drums, before ‘Strides’ closes the EP on a trip – a deep-diving journey built for late-night sessions.

Paradox finally returns to his main label after a 3-year hiatus with a 12” of Jungle and Breakbeat excursions.

The A side Drumline skips with ‘All I need is beats that Rhyme’ vocals, 90’s Reinforced records style pads and intricate loops. Another cut of B-boy culture
On the defence AA side Trident kicks back at 143 bpm with raw Funk breaks, wobbly subs, strings and vocal tricks.

The green artwork jacket projects Paradox Music in Blue & Yellow alongside traditional Ukrainian Vyshyvanka patterns.

Born in Wroc?aw. Known and liked as a member of the Wroclaw-based duo Skalpel. Much less known and liked as the author of several solo albums that illustrate and explore different states of consciousness: Breslau (solo debut released on Ninja Tune) - the frenzy of war, Dream Logic - the meanders of dreams, Delirium - psychedelic hallucinations, Fyodor - religious exaltation and ethical illusions. On the album "Refleks", he explores the state of consciousness of an old digger and beatmaker. He lives in Wroclaw.
About Refleks:

Refleks is tender and free. Of the two meanings of this word in Polish, I choose the one that is a reflection of light on a river. Hypnotic and never monotonous, brilliant and charming, with depth slumbering beneath. The whirlpools we encounter on the album are only slightly cunning; they are rather playful. Although one can look into the abyss, it is not greedy-it allows you to stay on the shore and does not consume you unconditionally.
In some tracks, it even throws you out: you think you're still riding that slide-a tunnel you think is endless-but it ends safely and suddenly in the grass. In the plush. As if a momentary wind carried you away, only to stop at the least expected moment, finding yourself in a completely new yet seemingly familiar space-time-at home, which is not yours, yet not foreign either. While the titles clearly suggest Wroc?aw-based situations, in my opinion, we are moving on a higher level of intimacy and abstraction. On the waves of the ether, the forgotten element of everything that cannot be measured, weighed, or counted. What we know for sure, but might only seem so to us. In the hospitable cosmos of a well-settled head.

13th Release of the limited Florcene Funk Sublabel including 2 rare Gems and for the

first Time in fresh 4C full Cover....Vinyl Only & limited as usual.



Comes in full colored Cover !

Aphex Twin’s ‘Xylem Tube’ EP arrived in the summer of 1992 on R&S Records, coming hot off the heels of his landmark ‘Digeridoo’ release, and an audacious follow up from the then 21-year-old Richard D. James. Out of print for nearly two decades, this long-awaited vinyl reissue restores one of the pivotal early works in his catalogue.

Where ‘Digeridoo’ pushed the endurance of the rave floor to its limits, the ‘Xylem Tube’ EP stretched the Aphex Twin sound into new dimensions with ‘Polynomial-C’ becoming an enduring classic with its spiralling arpeggios, shattering breakbeats and alien melodics. Tracks like ‘Phlange Phace’ and ‘Tamphex (Hedphuq Mix)’ pushed distortion, humour and rhythm into uncharted territory, while ‘Dodeccaheedron’ acts as a bold signifier of James’ radical ideas of how dance music can sound, with its ominous and brooding synth work over a cacophony of eerie, broken beats.

Three decades later, the EP stands not only as a key chapter in the Aphex canon, but also as a statement of intent from an artist set on reshaping electronic music’s DNA. Now faithfully reissued on vinyl for the first time since a 2006 pressing, this edition returns one of the most in-demand Aphex R&S titles to circulation after nearly twenty years out of print.

DJ Support: Paul Woolford, Machinedrum, Kettama, LDLDN, Sinistarr, A.Fruit, Machine Woman, Octo Octa, Paco Osuna, Bradley Zero, Tzusing, Lefto, Synkro, John Tejada, 12x12 and many more

BBC6Music - Gilles Peterson

NTS - LDLDN

BBC6Music - SHERELLE - DJ Mix and Interview

NTS - Ross Allen
Enter the kaleidoscopic world of Lone - returning to Greco-Roman for his first album in five years, ‘Hyperphantasia’

An artist who has been soundtracking dancefloors since the early 2000s, Lonemade his production debut in 2008 with “Lemurian”, a hip-hop inspired release before moving into the vibrant future-facing soundscapes we have come to know. His back catalogue ranges through house, rave, ambient and electronica, and on ‘Hyperphantasia’, Cutler sets himself the challenge to bring all of those influences together for one body of work that he describes ‘like an album in my mind’. Referring back to the album title, the definition of hyperphantasia is a condition characterized by exceptionally vivid and detailed mental imagery and for this album he tested himself to see how close he could get the music to sound exactly like what he was hearing in his imagination.

On Hyperphantasia, Lone deepens his relationship with vocals. Having previously relied on vocal samples or more abstract live vocal treatments, this latest album marks a shift toward richer, more pop-leaning sensibilities. Cutler makes a clear lyrical statement, enlisting a diverse and carefully chosen cast of collaborators: London-based artists and fellow Greco-Roman affiliates Ell Murphy and Lou Hayter, Barcelona’s breakthrough singer Bikôkô, cult Nottingham rapper Juga-Naut, and Hong Kong-born, London-based musician Merry Lamb Lamb. Together, they contribute to what stands as a career-defining project.

The end result is a cinematic experience exploding full of colour. You are introduced to the album with an old school rave anthem ‘Life Spark’ and an interlude welcoming you into this musical world. Like chapters in a novel, the album ebbs and flows beautifully between stripped-back melodies ‘Opening A Portal’, ‘Photographs That Don’t Exist’, ‘Sickly, Sweetly, Summer Movie’ and ‘Fruit Rots, Water Floats Downstream’, bubbling feel-good house ‘Affinity (Cloud Four Four Mix)’, ‘Triton’ and ‘ Wemove’, the rap-influenced ‘Throw The Ember’ and epic future-pop tracks ‘Miracle Mile’, ‘Big World’, ‘Scattergun’ and ‘Home’. The album ends with a full circle moment, back to the early hardcore and jungle rave scene, on ‘Ascenscion.png’.

We are back again for 2026 with more repress action - and this time we have Hellrazor 2 for you - an alias of DJ Sphinx. Released on a handstamped white label back in 1993, this EP contains 3 hardcore bangers plus a mad acid track too. A very collectable and rare EP.

The long awaited debut album from EDB is finally here. Like the title Japanese title Koeru suggests, the multi-instrumentalist producer surpassed his previous work and brought things to the next level.
From the futuristic ballad ‘True Love’ featuring UK soulstress Summer Pearl, to the electro tones of ‘Sculptured’ and broken beat abstractions of ‘Neurocloud’, to the cosmic uplifting tones of ‘Voices From Down Under’ featuring the legendary Nathan Haines, the record shows a perfect balance between light and darkness, sophistication and rawness, smooth and angular sounds.
The dancefloor moments are equally present here with Detroit’s Monica Blaire stepping in as a vocalist in ‘Automatic’, powerful instrumental deep house joints like ‘Phaze Shift’ and even a new updated version of his classic ‘This Can’t Be Life’ featuring Chicago’s very own Swaylo.
A cohesive, coherent and inspiring debut album from a true talent who will guide you step by step into his world.

180g

Our very first release on the label back in 2018. We are always being asked if we will repress it again, and now we have. But this time it's slightly different to our first pressings - for this repress we took the original DAT rips to Dapz at Compound Audio for him to master. And then those masters were shipped to Beau at Ten Eight Seven Mastering. So now this release is audibly similar to our other releases over the past 8 years - and in turn the label has been updated. So for those collector headz out there, it'll always be apparent which pressing this one is.

We are back again in 2026 with more DJ Seduction - this time his very sought after Papillion alias that he released back in 1992 on a private pressing. All headz that use to go out raving back in the day will recognise So Good for those days, plus its been well sampled over the years too. A total anthem!

Repress !

Skee Mask's Endless Search And Fascination For Fresh Music, Weed And Burgers Channeled Into His Own Vision Of Sound.
Enjoy The Ride Through His Second Album, A Detailed Experimental Universe Of A Young Dedicated Hustler.

Special vinyl re-issue of Trentemøller's groundbreaking debut album. Includes all of the 13 songs on vinyl for the first time. Triple-vinyl in gatefold sleeve.

Trentemøller's debut album remains one of the few genre-defining and groundbreaking albums in many regards. It's still being praised for its composition and sounddesign alike and sounds as fresh and breathtaking today as it did when it was originally released in 2006.
The Last Resort - a beautifully crafted, astonishing masterpiece, that will leave you breathless. The 13 instrumental tracks together form a wordless musical story, almost like the soundtrack of a movie. It
manages to capture a whole range of emotions in subtle melodic miniatures, dreamy ambiences, dusty beats, deep dub-tracks and driving groove-excursions. An ever-changing kaleidoscope of colours and moods. Although it's an electronic album, it also incorporates live-drums, guitars, bass and other acoustic instruments like celesta, glockenspiel, melodica and even DJ scratching to create a more organic feel. The album received fantastic acclaim from both music fans and journalists around the world and made it into the top-lists of the month, the year, the decade - alongside an array of awards for best production or best album.

Back in 2006, the original pressing only included a selection of songs from the original 13-track album release. It missed out on songs which had been released on singles or didn't "fit" on the so called "vinyl edition". Due to 'public demand' and simply because this album deserves a proper vinyl release we are happy to finally present, for the first time, the full album on vinyl. It spans of three vinyl discs and is packed in a beautiful gatefold sleeve which also holds a download-code. The recut has been carefully crafted from first generation, orignal masters by Calyx in Berlin. Since the album has been praised for its fantastic sound the primary directive was to cut the lacquers for the re-issue so that they would sound exactly the same as the original release, which has been the CD version of the album. No 'digital remastering' or any other alterations have been applied.
All 13 songs of the classic album on one vinyl release for the first time. Triple-Vinyl edition. Gatefold sleeve. download code. original sound-quality. NO digital remastering.

Gudu Records continues a busy start to 2022 with Italian due Hiver’s debut for the label - a high-definition EP that draws on classic electro and techno, following the group’s acclaimed past releases for Curle Recordings, Bokhari and Deeplabs.

A record that both marks and celebrates Hiver’s 10 years of operation, ‘Wave Sliding’ wears its influences on its sleeve: lead track ‘The Initiative’ is a “tribute to Detroit’s Hi-Tech Funk of the early 2000s”, lead by the sort of ostinato bassline and legato strings that have become Hiver’s trademark. ‘Vapour’ and ‘Entangle’ continue the EP’s retro-futurist outlook, drawing on sci-fi imagery and themes of travel, while ‘Stateless’ looks to the “easy-trance” sounds of 90s dancefloors for inspiration. Together, the tracks mark a perfect summary of Hiver’s vision of the dancefloor - bound together by vibrant colours and a starry-eyed, utopian nature.

Enigmatic producer bullet tooth makes Crosstown Rebels debut with ‘IF I CAN’T BE YOURS’. UKG meets melodic house on the four-track EP, featuring remixes from Enamour and SICARIA.

If you haven’t heard of bullet tooth yet, you soon will. Brimming with UKG, rave, and rap influences made deviously dark with heavy low-end basslines, this faceless newcomer’s captivating sound has seen him enjoy a meteoric rise since emerging on the scene in 2023. Graduating from Soundcloud bootlegs, the elusive artist made his Parklife debut this summer alongside rapper Capo Lee, with whom he produced ‘Keep It Rolling’. Featuring in sets for the likes of Sammy Virji, Main Phase, and Interplanetary Criminal, the aforementioned collab proved an instant hit, gracing BBC Radio 1 and 1Xtra airwaves via Sarah Story, Jeremiah Asiamah, DJ Target and more. Add supporters such as Floating Points, Laurent Garnier and Bicep to the mix, and it’s easy to see why there’s so much hype and intrigue.

Concluding his summer with a bang, the UK artist joined Damian Lazarus for his Hï Ibiza residency alongside Black Coffee, and now the DJ/producer ventures into melodic landscapes via Lazarus’ Crosstown Rebels with ‘IF I CAN’T BE YOURS’. The four-track EP also features additional remixes from LA-based talent Enamour and London’s hotly sought-after Moroccan dubstep favourite SICARIA. Leading with the powerful, ‘IF I CAN’T BE YOURS’, bullet tooth takes his sound to the club, featuring nostalgic 90s-esque vocals over dubby bass that lean towards the dancefloor. Second up is the uniquely melancholic-euphoric ‘YOU THINK YOU CAN FIX ME’, where UKG-style rhythms journey deep into melodic realms with purpose and precision. On the b-side, California’s Enamour reworks ‘IF I CAN’T BE YOURS’, directing his energy into a high-energy remix destined for festival grounds. To close out the EP, SICARIA leans into breakbeats with a climbing rendition of her own, infusing the track with lingering afro-leaning flavours.

Digi Dub re-enter the vinyl world with a handful of archival 10” releases, the first collating tracks harvested from four releases which originally came out in the early 90s.

The Aliens EP provides a perfect showcase of the adventurous and experimental approach that the label took at a time when breakbeat hardcore was starting to fragment. Taking none of the paths that their peers took, the artists in the Digi Dub stable infused their breakbeat science with a playful dubwise methodology to create idiosyncratic dance music operating at the interstice between modern dub mechanics and rave dynamics that was a premonition of much of the experimental bass music that the UK has become known for.

The first track comes from the trio L.S. Diezel whose Alien In The Woods marries cosmic interference with a steppers reinforced breakbeat and a tough digital bassline. The Diezel boys are joined by label owner Lee Berwick under his Launch DAT pseudonym for the second track Rougher Than A Lion. Beginning with what sounds like a sort of distorted tribal ritual, the track erupts into a symphony of skittering breakbeats, processed jazz lines, bursts of acid and discombobulated ragga chat.

On the second side the collaboration between Diezel and DAT continues with Poor Mans Glory that sees a weighty sped-up funk break allied with a suitably robust dub bassline overlaid with bursts of rasta invocation rattling around in the echo chamber. L.S. Diezel’s Get Your Spear Out rounds out the package with a clangorous proto-dubstep breaker forging the link between a Jah Shaka dance and Horsepower Productions.

With the original 12s now rare as rocking horse shit, grab yourself a 10” and make your bass bins smile.

The second in a series of releases from Digi Dub’s archives, this 10” serves, as the title suggests, as a tribute to the late, great Julian Fairshare.

On the A-side, Julian vocalises, in his unique style, his crazy finger flicking lyrics over a slinky Digidub riddim that was always a favourite on his sound system. Repent, the (only) slightly more traditional flipside, finds him commenting on the politricks and lies of those in charge, asking them to change their ways, with backing vocals by Helen Macdonald.

A true rasta with firm principles and a heart of gold, Julian was brought up by his Windrush generation parents in a Brixton house that hosted blues parties, and as a result became deeply involved in sound system culture from an early age. For years he ran the Fairshare Unity Sound, working with people from all cultures and walks of life, always maintaining an inclusive attitude while also favouring the more experimental side of dub. In later years he used the name ‘Unruly Julian’, which suited him somehow.

He toured widely around Europe and was one of the first to take a roots and culture sound system to the USSR. Nearer to home he played regularly on the London underground scene, which is where Lee Digidub and Julian first met, leading to a steady supply of dubplates for his sound. On a memorable visit to the studio, Julian announced that he wanted to voice a dub that Lee was working on, which led to them releasing I Scream and No Way on David Records.

“Sadly missed, it’s such a shame that the great man isn’t here to enjoy this release in person, but it’s wonderful that people get a chance to listen to Julian Fairshare: a unique vocalist, soundman and mentor to so many” Lee Digidub Berwick

Repress

Calibre's signature house sound now on 12" LTD vinyl!

Following standout releases on Tusk Wax and Binh’s Time Passages, Hamburg’s own Difool returns with fresh material for his debut on the mighty Partout Records from Paris.
This new EP continues his exploration of intricate grooves and timeless electronic textures. On A1 duty “Space Monkey Down” is a peak time future rave classic, reminiscent of 1990’s Trance eternals. “Now Hear This” combines classic 808 Electro beats with dreamy pads and a drilling 303 pattern. On the flip “Zone of Avoidance” and “Mosher” both employ broken beats and maximalist sound design for the discerning club-palate. This latest outing is a natural evolution for an artist who has already left his mark on two of the scene’s most respected labels..

Ruby My Dear returns to Analogical Force with Iterations EP -- five cuts of precision-engineered electronica forged from repetition and control. Originally conceived for a videomapping project by Barcelona-based studio VPM and premiered at SIGNAL and MIRA festivals the music quickly evolved beyond its audiovisual origins into a fully independent sonic work. Razor-edged IDM, glitched breakcore and high-velocity drum programming collide with dark harmonic pressure and microscopic detail. Brutal yet deliberate. Chaotic yet exact. This is Ruby My Dear operating at full resolution.

2026 Repress

2025 Repress

Brand new label Break The Future, intelligent music for rave enthusiasts. A new concept, vinyl label, using our original artist roster and originators in rave culture to remix modern electronic music with rave aesthetic the way they did back then. First up is label head UR2wo with his emo-breaks rave banger and a killer moving shadow remix from non-other than Blame. Following releases will see the likes of Nookie & Ray Keith stepping up on remix duties of originals from Nathan Cable (Tenth Chapter) & Richie Blacker & many more…

Having tirelessly contributed to shaping the UK dance music over the past decades, Special Request needs no introduction. From the underground and resurgences of Jungle all the way through to major Pop music projects, this man can do it all. Timedance welcomes Paul Woolford's infamous alias for the first time here, unleashing the devastating “Uncanny Valley”. Woolford combines his signature comb filter rave synths alongside cavernous breaks for ultimate mindf*ck peak time energy, anticipation has been huge for this one since Paul showcased the track on his social media last year to a huge response.

Alongside the original “Uncanny Valley” comes alongside remixes from two of maddest breaks scientists in our address book. Timedance stalwart Metrist nods to his love of hi-tech neurofunk with devestating technicality and flair, whilst gyrofield adds a more hypnotic and psychedelic angle, leaning into the eeriness of the original.

Proper dancefloor wreckage here from a real power trio.

Planet Beyond – Selected Cuts Volume 1 marks the first release on Ruiger Records, presenting the distinctive world of ES — a Dutch producer, multi-instrumentalist, and visual artist whose work flows effortlessly between live performance and studio creation.

Selected from an ever-growing archive built over the years, the music emerges from a deep vault of unreleased recordings spanning a wide range of moods and ideas. This collection offers a deeper look into a vivid creative universe of sound and feeling — a story that unfolds through rhythm, tone, and emotion. Each track adds a new shade to the journey, like a jigsaw falling into place, revealing new dimensions with every turn.

The music moves through eras and atmospheres — carrying echoes of ’90s electronic music and shaped by the spirit of ’70s jazz & funk. It’s expressive, natural, and percussive, full of motion and detail, where live playing, studio craft, and imagination merge into one seamless flow. The sound drifts from deep, funky electronic grooves to spacious, cinematic, and cosmic landscapes — music that invites you deeper with every listen. It sounds both new and familiar — as if rediscovering something ageless, still unfolding.

“If you’re a DJ… struggling… which is mostly what you’re doing out there… then you can always buy this record, play it and you’ll get booked for the rest of your life.”

Few producers have had the same seismic impact on techno and rave music as Joey Beltram. Hailing from Queens, New York, Beltram was a key architect of the early '90s rave explosion and responsible for some of the most influential electronic records of the era - and it was Belgium’s R&S Records that gave many of these tracks their first home.

Originally compiled and released by R&S in 1996, Classics brings together the core of Beltram’s groundbreaking early output - namely the Beltram Vol. 1 (1990) and Beltram Vol. 2 (1991) EPs, alongside the legendary Second Phase productions ‘Mentasm’ and ‘Mind To Mind’ (1991), plus a selection of aliases and collaborative work from the same period, including tracks under Mental Mayhem, Open Mind, and Disorder.

Now remastered and reissued as a 2LP set for 2025, Classics is available on vinyl for the first time since 2006, offering a long overdue opportunity to own these timeless cuts in their purest form. Across the 13 tracks, you'll hear the sheer force and innovation that made Beltram a household name in underground techno.

Integral to this collection are ‘Jazz 303’ and ‘Psycho Bass,’ co-produced with Norwegian techno innovator Per Martinsen (aka The Alien), which stand out for their experimental, forward-facing sound - highlighting a futuristic edge even within Beltram’s already pioneering catalogue. Elsewhere, his Second Phase project with Mundo Muzique delivers the seminal ‘Mentasm’ and ‘Mind To Mind,’ two foundational tracks that introduced the infamous “hoover” sound to dancefloors worldwide. Rounding out the set are deeper cuts under his aliases Mental Mayhem, Disorder, and Open Mind, capturing the breadth of Beltram’s restless creativity and technical command during his peak R&S years.
Classics’ by Joey Beltram is available on R&S Records from 25th July 2025.

Repress!

Rhythm On The Loose “Break Of Dawn” is quite simply one of House Music’s all time classics.

Producer Geoff Hibbert was inspired by seeing dawn break on an Italian coast line to
draw inspiration from Moby’s anthemic “Go” and disco gem “Let No Man Put Asunder” by First Choice to create his loving homage to the UK Rave scene.

Network set up a label “The One After D” to release a limited edition press of the instant classic to create demand.

One of the first copies was picked up by Kevin Saunderson and his relentless playing of the track helped fuel interest in the USA.

The first release on Network in 1991 established the track as iconic. That original mix is here and still sounds as fresh as ever. Perfect in fact.

The 12” also contains remastered versions of the 1995 remixes by Rhythm On The Loose, Strike and Stonebridge.

Taken from Network’s extensive back catalogue and a re-issue of a timely classic that is always in-demand.

Everything that can be measured passes, everything that can be counted ends. Only three things are infinite: the sky in its stars, the sea in its drops of water, and the heart in its tears. Gustave Flaubert

DJ Support: Peggy Gou, Prospa, Special Request, Annie Mac, DJ Seinfeld, Kolsch.

Pink Vinyl Limited Pressing

One of the biggest, breakbeat channelling stompers out there, courtesy of the in-demand duo Borai and Denham Audio, finally gets an official release with three fiery remixes via Room Two Records. A track that’s ripped through airwaves and club dancefloors alike, ‘Make Me’ has all the hallmarks of a future classic. Doused in Amen breaks, rattling subs, rave stabs and an instantly recognizable mid ‘80s Donna Allen sample. Together the track feels like a long forgotten rave anthem from the ‘90s with its mix of high intensity breaks and soulful vocals.

With the original sample cleared, three producers step up to remix this undeniable anthem. First Sheffield’s Big Ang with her Rave To The Grave remix, playing homage to her hometown with a bassline and bleep flavoured rework. Mani Festo then hits hyperspace with his glitched out, jungle warper, before Paul Sirrell closes out proceedings serving up a huge slice of piano house heat

From the mists of 1989 comes The Landlord with this monolithic slab of rave history - 'I Like It'. Instantly recognisable, those widely sampled piano stabs, that bassline.... it's all there. Produced by Canadian super-producer and Big Shot Records label owner Nick Fiorucci this much sought after rave anthem was highly prized and coveted by those in the know back in the day, no-one had any idea as to how huge the record would become as it soundtracked every dancefloor, warehouse, field and loft from '89 onwards, this is it, the real deal! Enter: The Maghreban. One of R&S Records contemporary artists and an unashamed Hardcore / Jungle / Breakbeat enthusiast, he seemed like the perfect remixer. Maghreban's mix is respective of the roots and the legacy of 'I Like It', referencing some of it's later sampled incarnations in a clever and knowing way, a true DJ tool that has been road-tested and checked in clubs across Europe and beyond, his epic 'Revenge Remix' shows a deep understanding of the history of these particular records and how they work on the dancefloor. This one will have people crying for more! Also featured on this special RSD 2019 release is the OG 'Blow-Out Dub', the one that started it all. Classic material from end to end right here. Essential business from Above Board distribution and Nick Fiorucci / Big Shot Records.

For the sixth release on their imprint, Voodoos and Taboos deliver “Other Land”, a 4-track EP showcasing their signature blend of diverse sonic landscapes. The record flows seamlessly through 90s-inspired Progressive House, sharp Electro, atmospheric Breakbeat, and clinical Minimal-Techno, balancing driving peak-time energy with deep, futuristic textures. A versatile 12″ designed to bridge the gap between different club aesthetics with high-fidelity precision.

Aufgewachsen in London mit Jungle, Grime und Broken Beats, ist der Jazz-Ansatz von Yussef Dayes und Kamaal Williams (aka Henry Wu) geprägt durch den Basssound der Piratensender, ähnlich wie die US-Kollegen Robert Glasper oder Kamasi Washington HipHop in ihre Musik einfliessen lassen. Weitere Inspirationen auf dem Yussef Kamaals Debütalbum ist der freiheitliche Anything-Goes-Spirit des 1970'er Jazzfunk eines Herbie Hancock oder Mahavishnu Orchestra, während ihr Pianospiel an Thelonious Monk und ihr Drumprogramming an Kaidi Tatham angelehnt ist.

Step into the spirit of the early rave years with “Parade006”, a high-energy EP rooted in the uncompromising sound of classic breakbeat. Drawing inspiration from the 90s, this release channels the raw pulse of a time when warehouse walls shook, kicks hit hard, breaks were chopped to the bone, and basslines pushed systems to their limits.

Right from the first track, the EP pulls you into a fierce rush of rough-edged samples, piercing rave stabs, and nonstop drive. Each cut blends heavy nostalgia with modern punch, fusing old-school hardcore attitude with contemporary production power.

Brace yourself for pure dancefloor pressure. Arms up. No restraint. The rave is back.



>>> comes in different marbled colored 12 “ Vinyl and ONLY on Vinyl <<<

The futuristic proto junglism of Coral continues. With work that's been in the pipes for quite some time, Coral finally delivers an impressive 5 track EP made up of lush pads and deep bass, accompanied by vicious stabs and heavy breaks. An EP aimed at both dance floor and living room. To compliment this jam-packed release, the Dutch hardcore master Tommy De Roos, also known as FFF, has taken one of the tracks a step further down the rabbit hole with even deeper bass and a massive (!) mantra to make all heads turn. Shout out to Dj Flight, Tim Reaper, Mantra and all for the support.

!!! repressed !!!

LN013 presents a four-track electro compilation entitled Network Not Found. On the A1, Watts provides an electro-funk workout reminiscent of early Kraftwerk. Modulating basslines, delayed breakbeats, and haunting synths call back to early tropes of the sound while contributing to and reinventing the style. LA's 5tr8tch debuts his future classic, "Sleight of Hand." This track delivers tight 808 programming and unique sound design that takes the listener on a timeless journey. The B1 features The Advent and Zein in classic Kombination Research fashion—advanced B-side business for true lovers of the movement. Pulling from the Teknotika archives, GiGi Galaxy provides a rare DAT recording from 1997. The track's growling bassline, warm 808 beats, and experimental sound design take the listener on an ever-changing journey.

Trippsy strikes again! Following in the memories of our various artists label debut, this release is riddled with swift round-house kicks, heavy punches and killer ninja combos that will knock any raver into the 4th dimension. Saddle up, for another Tripnotic exploration into music via Hypnohouse Records!

After the relaunch of its vinyl output, Sol Asylum continues the SA-LTD series with Jorge’s Anticipation Station EP — his first vinyl release on the label. Blending old-school breakbeat, acid, and progressive house with a refined modern edge, the EP reflects Jorge’s deep musical background and dancefloor intuition. Tested across floors worldwide, this release marks a strong and confident next chapter for both the artist and the SA-LTD series.

All rise for Skeleton King. The Bristol based producer lines up his Lobster Theremin debut with Deep Into The Night four tracks that highlight the emotional nuances of the skeletal sound.

Skeleton King has a knack for the large; be it lairy, UKG basslines or lo-fi alternative pop there’s a quiet confidence in his ability to jump between genres so effortlessly. ‘Anxiety’ begins as a half-time, bass-driven stepper and finishes on some sort of ragga-dub tip, and those horns! Clearly inspired by the producer's time in Bristol it’s an instant rave starter.

‘Deep Into The Night’ combines the producer's love for breaks and garage on a wubbed-out, atmospheric 2-step before ‘Of Course, All The Time’ pursues the cinematic on a marching, ancestral rhythm.

We finish on ‘There’s Something About You Boy’; wriggling synths, malfunctioning electronics and wifey riddim pitched vocals creating a pop-driven euphoria amongst the UK energy. A massive EP from a super exciting UK emerger.

Colombian-born artist Juan Carlos Torres Alonso, aka OKRAA, presents his third sonic exploration on A Strangely Isolated Place titled, La Gran Corriente. This album marks a profound shift in Juan's creative journey, where themes of portals, the illusion of time, and the paradoxes of self-discovery converge into a powerful auditory experience.
Following a transformative visit to Bogotá in May 2023, Juan underwent an introspective journey that inspired a new direction in his music. This experience, which he describes as an encounter with "an infinite current behind or inside of everything," led to a complete reimagining of his work. Abandoning previous demos, Juan embraced a liberated creative process that was both challenging and exhilarating. 
La Gran Corriente is characterized by its innovative production techniques, eschewing fixed grids and BPMs in favor of fluid, organic structures and combining influences from Juan’s other production alias, ‘Laudrup’. This approach not only opened up new creative possibilities but also led to numerous "happy accidents," resulting in a body of work that is as unpredictable as it is cohesive.
At the heart of the album lies a poem written by Juan during production, a text that echoes the themes woven throughout the music. Translated loosely to English, the poem reflects on the nature of reality and time, with lines like "the land of oblivion is not real" and "the great current reminisces; time is an illusion." These words serve as both a guide and a reflection of the album’s deeper meaning.
La Gran Corriente is a record that invites the listener to unlearn and to immerse themselves in a sonic current that is both infinite and transformative. It’s a testament to the power of creative reinvention and the relentless pursuit of deeper truths through music.
Featuring artwork by Peter Skwiot Smith, La Gran Corriente is available on gatefold colored vinyl 2LP, mastered by Taylor Deupree / 12k Mastering.

A Strangely Isolated Place presents a long-lost collaboration between Polish artists Olga Wojciechowska and Tomasz Walkiewicz as Monoparts—a partnership formed many years ago that resulted in an album once destined to remain unreleased.

Olga Wojciechowska, known for her modern-classical masterpieces such as Infinite Distances (2019) and Unseen Traces (2020), as well as her 2022 collaboration with Scanner, breaks all known expectations with Soothsayers. In a dramatic departure, Olga unveils a new and unexpected side, debuting her haunting vocals—a delicate, spellbinding performance that recalls the golden era of trip-hop, and comparisons to the sounds pioneered by Tricky, Massive Attack, and Martina Topley-Bird.

With Tomasz adding layers of depth through intricate beats and electronics, Olga’s voice becomes the emotional core of the record, conjuring an intimate and nostalgic atmosphere.

"This album is like becoming one with the earth itself—feeling the rawness of the wood, tasting the earth in your mouth, and sensing the presence of ancient spirits. The music carries a deep, primal energy, like being part of the forest, with creatures watching you from the shadows." - Olga Wojciechowska

To complete the journey, ASC lends his signature touch with a stunning drum’n’bass reinterpretation, amplifying the album’s nostalgic essence. Soothsayers emerges as a spellbinding ode to times gone by, in more ways than one.

Featuring artwork by Moon Patrol, with mastering and lacquer by Andreas LUPO Lubich.

For the decennial release on Punctuality Warsaw duo W.A.C., aka Private Press step up with their Forever W.A.C EP. Moving away from their more techno-oriented offerings, Forever W.A.C. keeps the tempo and energy of their earlier work but suffuses the mood with warm, glowing trance and prog energy. This is peak-time Punctuality business in its purest form– on time as ever. “No More No Show” comes in hot from the get-go: galloping snare rolls, raved-up breakbeats, uplifting pads, big basslines, acid licks, and the low-end wubs that have become synonymous with the Punctuality sound. One for that point in the night when the dancefloor has melted into sweaty, eyes-closed, hands-up amorphia.

Barely recognisable to its original counterpart, the Rhyw remix strips the A1 down to the bare essentials. Preserving only a few percussive elements, the euphoria of No More No Show is replaced with hazy, cinematic synth washes that drone around a skeletal groove loaded with bassweight, warping the original into a dubbed out psychedelic UK stepper. Shifting to the morning light, “Only Froggerz” is a shimmering roller that ebbs and flows around barreling kick drums, kaleidoscopic synth lines, and vaporous FX, with lustrous chord work driving the emotion dial to 11. Elegant and restrained but relentlessly pummeling, it’s early-morning club gear at its finest.

Rounding out the EP with an essential slice of modern prog, “Close” utilises all the good bits: skippy basslines, filtered squelches, tribal-leaning percussion, and a relentless groove that builds around the subtle interplay between the stabs and the vocals. An epic closer that feels as true to the Punctuality canon as ever.

Setting the tone for the wider project, ‘Rage Days’ thrives on sonic deviation, weaving together junglist breaks, weighty basslines, melodic elements, and vocal chants. Speaking on the track, Mix’Elle shares: “For me this track represents how amidst the chaos, community, art and music become such important comfort zones for us to lean into when the world feels a bit mad.”

Reflecting on her contribution, BRAVA said: “It’s about my experience this past winter in London. Being broke, freezing, in high rent flats and just figuring it out as you go, but still ending up at the rave, dancing to breaks and bass where everything kinda makes sense for a bit. It’s also about the people within the DIY underground scene that I’ve fallen in love with, where everyone looks out for each other because we’re all in the same boat.”

‘Rage Days’ captures the urgency and unity of underground club culture, marking a soundtrack for navigating chaos, and finding connection on the dancefloor.

The Parade imprint returns for its seventh outing, keeping the mystery alive with a four-track heater from a nameless contributor. The Neo Piano EP is a masterclass in dancefloor nostalgia, expertly blending the euphoria of the early 90s with modern, punchy production.

On the A-side, "Everyday" sets the tone with soaring chords and a breakbeat foundation that feels both fresh and familiar. It’s followed by "Angelite," a shimmering roller that leans into the lighter side of rave, balancing celestial pads with a driving rhythm section.

Flip the wax for "Somebody 2 Love," a high-energy edit that reconstructs a classic vocal into a peak-time breaks anthem. Closing out the record is "Da sweetest Ting," a bass-heavy, old-school leaning cut that lives up to its name with infectious hooks and a soulful finish.

Pure dancefloor functionalism with a sentimental heart—strictly for the heads.



>>> comes in different marbled colored 12 “ Vinyl and ONLY on Vinyl <<<

The mysterious Pirka Vinyl Cuts series continues, digging deeper into the crates to reframe the classics. This chapter presents four broken-beat interpretations, blending deep textures with familiar samples. Features sophisticated reconstructions of material by Telepopmusik, Depeche Mode, Chemical Brothers and Limp Bizkit.

Tresydos presents its 12th release, "On Cloud Nine," a captivating EP that marks the first collaboration between the Barcelona-based artists Vince Void and Lis Sarroca, offering a rich blend of electronic sounds, and showcasing the duo's seamless synergy and diverse musical influences.

Side A kicks off with "Translucent Times," a track where house meets Italo disco and sets the perfect tone for the EP. Following this, "Noctis" by Vince Void takes the dancefloor by storm with its powerful beats and infectious energy. On Side B, "Crystalized" delivers a deeper, trancier vibe, blending ethereal melodies with mesmerizing rhythms. Lis Sarroca's "Call Tomorrow" introduces an electro-disco flair, combining retro and modern elements. The EP closes with "Moon Days," a chill breakbeat track that provides a great conclusion to this dynamic release.

Tone Dropout Records kick off the new year in emphatic style with a brand-new 6-track vinyl EP that stays true to the label’s unmistakable dancefloor-driven sound.

Packed with heavyweight grooves, acid lines, breaks, and bleeps, this release delivers six high-impact tracks designed for late-night systems and packed floors. The EP also marks an exciting moment for the label, welcoming two new artists into the Tone Dropout family while celebrating the return of long-standing contributors.

Joining the roster for the first time are KWAKE and Harry Light, both making a powerful debut on the label. They sit alongside Tone Dropout regulars SkyWave Transmissions and XOTR, while label co-owners DAWL and SWEEN reunite once again, delivering an acid-fuelled opener and a special bonus breaks track on Side B.

As always, the EP is overflowing with breaks, bleeps, acid, and raw rave energy.

Side A – The Head Side

Side A opens strong with DAWL and SWEEN at the helm, laying down a driving four-to-the-floor acid groover that would warm up any dancefloor with ease. It’s a statement opener — and a sign of much more to come from the duo throughout the year.

Next up, SkyWave Transmissions brings his trademark experience and finesse, delivering a tightly produced acid-bleep track that showcases depth, quality, and character. Following seamlessly is long-time collaborator XOTR, who rounds out the side with a pure slice of northern bleep excellence — unmistakably Sheffield in style and sound.

Side B

Side B introduces the first of the new Tone Dropout members, KWAKE. A long-time friend of the label, this marks his first official appearance, and he doesn’t disappoint. His track is a full-force breaks banger, capturing authentic rave energy and guaranteed to ignite the floor.

Next comes Harry Light, making an immediate impact with a pounding house-and-breaks hybrid. Impeccably produced and relentless in energy, the track lives up to its name perfectly — “POWER HOUSE.” Both newcomers arrive firing on all cylinders, delivering two massive dancefloor weapons back-to-back.

Closing out the EP, DAWL and SWEEN return with Tones Breaks 5, a three-minute breaks workout and the latest installment in the label’s breaks series. This track also serves as a respectful nod to one of their musical heroes, Frankie Bones, rounding off the release on a high.

Six tracks. All killers. No fillers.
In challenging times, this EP delivers exceptional value — a complete package of club-ready music pressed to vinyl and built for real dancefloors.

Another quality release from Tone Dropout Records.

repress !

Installment 009 of freshly remastered Dancefloor. Vinyl Only as usual.

CCCP Edits is back with five new razor-sharp edits by an Unknown Artist from the lands of the lost, spanning different genres from Breaks, Drum & Bass and Vintage-tinted Electro to Minimal and Trip Hop. Essential for all collectors looking for creative electronic music reinterpretations of USSR music.

Bumpy & Bleepy UK business here from Adam Curtain with Facta & Harry Wills on remix duties.

Trouble Maker comes correct & reminiscent of old Nu-Groove records with a bumper 6 track 12"! Wisdom Teeth boss Facta, provides a wiggy and high-end remix of Doors of Perception whilst Harry Wills turns out a breaky 4x4 almost bassline version of BYOT.